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the oxbow thomas cole analysis

This is one of my favorite paintings, and I consider it master piece because not only you can look at it, but you can also feel the emotions that are communicated through superiority of visual elements and principles of design. The painting of "The Oxbow" is on its surface merely a landscape portrayal of a meandering river that folds back upon itself in the shape of a bow or oxtail. Holyoke, Northampton, Massachusetts, after a Thunderstorm (The Oxbow)”, "The Course of Empire, The Savage State", and The Course of Empire, Desolation" by Thomas Cole. The Metropolitan Museum of Art, Gift of Mrs. Rus-sell Sage, o8.228. Thomas Cole is considered to be the leader of the Hudson River School. Thomas Cole is often considered the founder of the Hudson River School, and therefore the "father” of American landscape painting. Thomas Cole Paintings Analysis In this essay, we study three influential paintings by Thomas Cole. Today, the work hangs in The Metropolitan Museum of Art in the section of the museum devoted to American Romanticism. Oil on canvas, 51'/2 x 76 in. The painting, also known as View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm , looks down from the top of Mount Holyoke over the cultivated Connecticut River valley (Bjelajac, 60-83). One Cole painting that has particularly complex religious themes is The Oxbow. The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm. Thomas Cole’s View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm – The Oxbow, 1836 (detail; full image below). Maura Coyle February 2, 2012 Art History 115 Professor La Follette Visual Analysis #1 In the year 1836, Thomas Cole created a magnificent work of art titled “The Oxbow (View from Mount Holyoke, Northampton, Massachusetts after a Thunderstorm”. (130.8 x 193 cm.). Artist: Thomas Cole Considered a masterpiece of American landscape painting from its first showing at the National Academy of Design in 1836, Cole layered geographical fact with allegorical symbolism to create a deeply meaningful landscape. Thomas Cole, The Oxbow, 1836 15 Aug As America began to move into the vanguard of the industrialized world, American artists began to take pride in their native landscape, preferring thorough Realism over the Neoclassical scenes taken from ancient history that were popular in Europe. The American painter Thomas Cole originally painted the work 1836. Born in England, he emigrated to Ohio with his family when he was 17, and after a brief and unsuccessful career as a portraitist he began to show interest in the landscape of his adopted country, especially that of the Hudson River. Our view is from above, just behind one of Cole's favorite forms: a windswept and battered tree. Wilderness Art: Thomas Cole "The Oxbow" The Oxbox (Oil, 1836) In this fascinating and highly symbolic painting, Cole depicts two landscapes: a wilderness on the left and cultivated fields on the right. Analysis Of Vincent Van Gogh And The Oxbow 850 Words 4 Pages I have chosen Romanticism/ Post Impressionism, Olive Trees with yellow sky and sun, by Vincent Van Gogh; The Oxbow, by Thomas Cole, comparing it to the “Spirit Rising, by Christophe Vacher”. Thomas Cole (18o1-48), The Oxbow (The Connecticut River near Northampton), signed and dated: T Cole / I836. 1. Thomas Cole’s The Oxbow For the critique I have chosen Thomas Cole's The Oxbow. Photograph: Juan Trujillo/© The Metropolitan Museum of Art To name them specifically, they are “View from Mt. I have been thinking of your obliging proposition of painting some Picture for Exhibition and leaving yours

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